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Hidden Treason: Aspects of the Protagonist's Action in Ralph Ellison's Invisible Man
Redchitc, Daria ; Robbins, David Lee (advisor) ; Veselá, Pavla (referee)
BA Thesis Abstract From the very moment of its publication in 1952 Invisible Man by Ralph Waldo Ellison has been widely discussed by critics but, in my view, the Prologue did not receive due attention. In my thesis I am going to argue that it is exactly in the Prologue where the readers can see Invisible Man in full action, although he himself seems to overlook it even in the Epilogue, in which the protagonist is still uncertain about his future action. That is possible, for the tone of the whole novel suggests that the protagonist is not as insightful as he may think. Otherwise, if the Prologue is not there to show the readers that the protagonist is actually in full action, the purpose of the Prologue as a mere introductory piece seems to be redundant if one is to bear in mind that in the first paragraph of the first chapter the protagonist repeats the essential information of the Prologue, that is that he is invisible. In my thesis I am going to discuss the protagonist's action in the Prologue and how it serves the purpose of the entire novel, the key activity being the "fight against Monopolated Light & Power" which could be read on two levels: as straightforward civil disobedience and as symbolic artistic manifesto. The former concept is significant in the range of the whole novel and American...
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Elements of the Grotesque in the Novels of Toni Morrison
Hädler, Victoria ; Veselá, Pavla (advisor) ; Roraback, Erik Sherman (referee)
The aim of my bachelor thesis is to analyze the elements of the grotesque in the novels of Toni Morrison. The analyzed literature includes Morrison's most popular novels Sula, Beloved, and The Bluest Eye. The thesis begins with an introduction where the genre of grotesque writing is defined and specified, and its literary origins are traced; then Morrison's novels are addressed (their function, effect and role). Furthermore grotesque elements are analyzed in terms of concrete representations of grotesque marked bodies. The dominant Western white standard of beauty is interpreted in contrast to the Afro-American one. In addition the author's possible choice of the concrete representations of the grotesque is considered. The grotesque genre is dealt with in respect to the specifics of Afro-American writing of Toni Morrison.
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